Director Biography – Ariel Orama López (AG Orloz) (2HOOM)

Ariel Orama López (AG ORLOZ) is a Puerto Rican professional actor, executive producer, independent filmmaker, and media psychologist that was eligible for the Oscars 2020. He is a collegiate actor of the Colegio de Actores de Puerto Rico, a certified Executive Coach (specialized in Crëative Life Coaching) from TISOC, Barcelona, Spain, and a licensed clinical (media) psychologist. He was selected as a finalist of Taller TELEMUNDO: actores, in Miami, directed by the well-known actress nominated for an Oscar in the movie Babel (2006), the distinguished Mexican actress and Professor Adriana Barraza.

Ariel (AG) has worked in commercials, theatre, short films, indie films, documentary, series, television, media writing, and voice-overs, summing more than 200 projects in arts (2001-2020). He is also a composer and singer: one of his songs (Seré/I’ll be) was selected for the Puerto Rican dramatic documentary The Eyes of the People and his song (Alto Vuelas/ Flying Higher) was selected as the official Puerto Rican song for the World March from the Peace, celebrated in Argentina and New Zealand.

Orama performed in fourteen Short-Films in California during his NYFA training in Acting for the Film (Los Angeles). After this experience, he was selected as the Creative Coach and Consultant for the television program Idol Kids Puerto Rico (from the recognized English franchise Idol ©), and have offered courses about Psychology of Character at the Colegio de Actores de Puerto Rico and in other relevant forums.

He has received more than 70 laurels and 29 international prizes in filming, including Los Angeles, New York, Puerto Rico, India, Spain, Africa, the Philippines, Nazareth, among other international contexts. Ariel directed and starred on the Puerto Rican Short-Film ESTEB∆N -Opera Prima- which received national and international laurels and/or nominations (Director’s Choice: Best Film, Top Ten Film, Best Actress, Best Cinematography, Best Editing, and Best Music) in following contexts: Spain, California, Orlando, and Puerto Rico. He received laurels and prizes from Italy, Martinique, and Spain for his Short Film Cielos Negros (main character and producer) and presented his Short Films ESTEBAN and A Mis Queridos Reyes at NYU and in The Motherland Resists NY Collective Project. He also received a scholarship from New York University (NYU) for an intensive Film and Gender Seminar and had the opportunity to present some of his multi-laureated films among academics and specialists in the seventh art.

The Puerto Rican actor has received different awards in performing arts, including Best Direction Selection, Best Concept, Best Actor, and Best Script. Ariel was one of the five recipients of the Sor Isolina Ferré Medal in Education of the Government of Puerto Rico, a unique National distinction in service and education. In 2018 received the Top Ten Young Persons Award (TOYP) in the Cultural and Art category.


Director Statement

2ḦOOM [zu:m]
FILM COMMITMENT IN THE MIDST OF CONFINEMENT:
ITALY, PERU, USA AND PUERTO RICO JOIN IN FRONT OF THE PANDEMIC

“When the pandemic arrived, my intuitive mind thought of two things: first, that the vaccine or the ‘antidote’ against COVID-19 could be related to the structure that gives the dreaded virus the shape of a “crown.” I shared with my loved ones, with evidence, right at the beginning of this global situation. Second, that HIV/AIDS could be understood, in another way, after studies and future findings on the relatively new condition, and vice versa. I remembered my experience with HIV/AIDS patients. Considering my formal education in Science and Arts, I decided to create a short film that linked such elements with the unimaginable power of water and the mysteries of quantum physics: a story that alluded to the “shield” or “armour” of the coronavirus (even on an emotional level, as a metaphor) as well as the stigma of HIV. Today we are one voice, without races: a new universe of masked beings. And that is how my short film 2ḦOOM [zoom] was born.” -AG ORLOZ

Welcome to 2ḦOOM [zu:m], a Puerto Rican Life Action Short Film that incorporates international creative talent, conceived in full confinement and in the presence of COVID-19 in the World. The multi-laureate director of independent cinema and university professor of psychology and acting, Dr. Ariel Orama López (AG Orloz in the arts) summoned a Peruvian animator and cartoonist (Jorge Cáceres) and an Italian composer (Daniele Carretta) to create a project that represented the related topics that emerged after the pandemic and which, in turn, served as a single voice for the human race in the midst of global metamorphosis. Filmed indoors and outdoors, under strict protection measures and with the integration of creative elements, the project managed to come to life with an air of universality, thus leaving for festivals around the world. Topics related to the blood ties that transcend, the vulnerability of human beings, patients at risk and immortality are present in the short film, whose visual richness through animation joins the sublimity of its music and the plausibility of the performances. Ariel is a distinguished former LA NYFA Acting for the Film Student who was eligible for the Oscars 2020 with its project ONE.

The Life Action Short Film that integrates animation with acted scenes is about “two brothers who discover the quintessence that unifies them”, in the midst of the pandemic, through a conversation by “Zoom” in which “anything can happen”: this occurs from the virtual platform that boomed under current circumstances and in full confinement. The project incorporates actor Jonathan Cardenales along with also actor AG Orloz, who stared on this short and have formed a perfect cufflink in other of his award-winning projects. One of the emotional touches of the project is the integration of voices from Chile, Venezuela, Colombia, Mexico, Puerto Rico and Argentina for a crucial moment in the emotional film. Likewise, talents from the United States and Mexico were integrated to conceptualize the art, logo, and essence of the project, from the comprehensive perspective of Orama. The edition was carried out between Puerto Rico and Peru, virtually supervised by its director from the thrill of creating, for the first time, a project that integrates animation. It should be noted that the project has also awarded actors and editors. The sum of talents that make up this project was characterized by its dedication, creativity, level of detail and quality of its art: neither distance nor new limitations were an obstacle to creating a project with substance and worthy of international festivals.

“Uniting as that new, emerging DNA, which already has an indelible mark on our collective memory, in times of change, has been key to survival in the face of what we all already know and are experiencing. This is precisely what our film commitment has been: we have started from a unifying, human, social, and hopeful perspective. We did it with the short film ONE, after the ravages of Hurricane Maria, and we even hoped that our message would reach the Academy and the Oscars: thank God, we did it with the eligibility of the project. Now, we want our sublime message in essence and forceful in matters of great relevance and universality to reach every corner of the planet as a reaffirmation that we are no longer neither races nor other social differences, there are no distinctions: we are one voice”, concluded the multi-awarded director of this seventh art project, who recently won his 40th laurel and 4 new nominations in Chile (director, script, sound design and cinematography) for his Oscar eligible Short Film ONE, is completing his next book on Film and Media and is in post-production of his feature film “YSLA”, from a renewed perspective and with other enriched experiences. 2ḦOOM [zu:m]© was filmed in the midst of the pandemic and under the confinement rules.

Short Film: 2HOOM, 10min., Puerto Rico, Drama

Two brothers from the Caribbean discover the quintessence that unifies them, in the midst of the pandemic. In a [zu:m] conversation, anything can happen. It Is an ethereal story that alludes to the metaphorical “shield” -or “armour”- of Covid-19, even on an emotional level, as well as the stigma of HIV/AIDS. Today we are one voice, without races: a new universe of masked beings.

Project Links

News & Reviews

Director Biography – Rubén Pascual Tardío, Chando Luna (GOODBYE, SUSANA)

Rubén Pascual Tardío es un guionista, director y editor cuyas señas de identidad son la sensibilidad, la constancia y el afán de perfeccionismo. Lo que lo distingue de otros directores es que al no haber dejado de crecer en paralelo como editor (largometrajes acogidos por la UNESCO) y guionista, cuenta con la capacidad de poder gestionar cualquier proyecto en el que se embarque tanto a nivel de estructura como a nivel de supervisión de los detalles que elevan a todo proyecto.

Director Biography – Mark Chavez (Quantum LOGOS (vision serpent))

Mark Chavez is an animation industry veteran who has worked at major animation studios on more than 15 award-winning feature films and innovative interactive titles.
He is founding faculty for the animation area at Nanyang Technological University Singapore’s School of Art, Design & Media. He is chair of the SIGGRAPH Asia 2013 conference’s Art Gallery in Hong Kong and for the SIGGRAPH Asia 2008 Educators Program in Singapore. As a Primary Investigator, he was granted significant funding from the National Research Foundation / Media Development Authority of Singapore to establish research in the School of Art, Design & Media at Nanyang Technological University.
Mark’s current work explores Quantum Theory with cultural archetypes. In an immersive reactive audio-visual experience that uses cultural archetypes to explore natural phenomena, Mark utilizes aspects of intuitive, assumptive cultural models to describe the nature of existence as confirmed through scientific observation. Other recent works have been awarded prestigious 2018 and 2017 Lumiere Awards by Advanced Imaging Society (AIS) and Virtual Reality (VR) Society’s Hollywood and EMEA chapters (Europe, Middle East, and Africa), and has been exhibited at international events such as Ars Electronica Festival (2015-2018), Media Architecture Biennial 2018 Beijing, Art|Sci Gallery UCLA 2018, Web 3D Art Gallery Brisbane 2017, Visualization Matters UNSW Sydney, Asia Animation Forum PISAF Korea 2017, and New Media Festival 2017. He has created other animated films that have screened at numerous international film festivals and have received awards.

Director Statement

My artistic practice strives to utilize digital multimedia techniques to tag meaning to tangible, concrete ideas. I explore computer animation with emotive-abstraction, mapping design to emotions, with audio-reactive motion and real-time animation design. My work currently attempts to shape a sense of familiarity to themes I am exploring by using cultural archetypes and design to explain contemporary scientific ideas and concepts. I exhibit my artwork as short films, interactive and reactive, immersive fields, and print.

Short Film: Quantum LOGOS (vision serpent), 11min., USA, Animation

Going beyond the limitations of classical logic this film uses images as poetry to represent the quantum world. Using cultural icons to create visual metaphors to explore, and discover; to communicate the counterintuitive, and contradictory beauty of quantum physics.

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News & Reviews

Director Biography – Rommel Villa Barriga (SWEET POTATOES)

Rommel is a director, producer, and writer born and raised in Sucre, Bolivia. His interest in telling stories started when he was a kid, creating fictional stories about his family having superpowers and fighting poverty and corruption. Rommel has a Bachelor’s Degree in Systems Engineering, a minor in Psychology, and he recently graduated from the MFA in FIlm and TV Production program at USC with an emphasis in Directing, where he directed over 8 films and wrote more than 10 scripts.
Winner of best director in several theater festivals in Bolivia, Rommel received the Lionsgate and Televisa fund for Latinx filmmakers at USC. In addition, he was awarded two directing grants: one of them being TEDDY MATE, fully funded by USC, and the second one, SWEET POTATOES, which was funded by the Sloan Foundation and won a Student Academy Award. Rommel’s next project will be a psychological film based on the experience of Latino young adults in San Fernando Valley who suffer from psychotic disorders.

Director Statement

I come from a numerous family. My father has twelve siblings, my mom has fourteen. Family reunions were great. We were more than fifty people sitting around an infinite table eating, laughing, and playing together. It all seemed fine on the surface, but what I didn’t notice were the sacrifices some of my relatives had to make in order to provide for their families. My uncle Carlos works as a teacher, carpenter, and DJ to make enough money to support his six kids, my grandmother spends at least five days, most of them sleepless nights, preparing meals for family reunions, and my mom, she left her career as a nurse in order to take care of my sister and I, all because of the taboos and lack of accessibility of birth control methods in Bolivia.
When I read the biography of Luis Miramontes, memories of my own life and my family’s struggles came back to life, which encouraged me to tell his lovely story. Sweet Potatoes is a story about everlasting and rocky relationships. Luis was a young scientist who at the early age of 26, already had a few children and struggled a lot to provide for them. That encouraged him even harder to synthesize the main component of the contraceptive pill. Something I’m fascinated by about Luis is that he was one of the few scientists who didn’t criticize faith but embraced it. From Sunday Mass and Baptisms to prayers before dinner, his good relationship with his wife got even stronger thanks to the guidance of their friend, the priest in town. However, things went south for Luis when the priest finds out he was working on the birth control pill.
As the story develops, we follow Luis’ self-destructive obsession with his job and experience the consequences of his invention which includes his detachment from his family and the disapproval from his church. I think this is a good opportunity to show the humanity behind a young Latino scientist who was not recognized by the world for his brilliant mind. Instead, he was humiliated and condemned for his actions. However, through that painful process, he learned to cherished what really matters in life, his family.

Director Biography – Miriam Kruishoop (ESTILO AMERICANO)

Award-winning Miriam Kruishoop (Vive Elle, Unter Den Palmen,
Greencard Warriors) is a Dutch-American writer/director and visual
artist. Kruishoop graduated with honors from the Gerrit Rietveld
Academy in Amsterdam. Kruishoop previously wrote and directed
another Latino film, the award-winning feature Greencard Warriors starring Manny Perez. The film tells the story of an undocumented family whose eldest son is recruited by the army with the promise of a green card. In 2014, Kruishoop was awarded the Best Director Award at the Los Angeles Latino International Film Festival (LALIFF). After its theatrical release, the film was featured on HBO Latino.


Kruishoop’s work centres around diversity and focuses on the under-seen people in society – the isolated within communities and the victims of racism and prejudice. Kruishoop has won multiple awards for her work including the Culture Prize of the City of Amsterdam, a Tiger Award at IFFR and several Best Director Awards, including at the New York International Film Festival, LA FEMME International Film Festival and at LALIFF.Director Statement

Estilo Americano is a timely film about family and politics in the age of Trump. What does it mean to be Latino in today’s America? Whether one chooses to identify as Hispanic, Afro-Latino, or the increasingly popular Latinx, Latinos have yet to consolidate a powerful notion of identity-based on racial solidarity. Anti-immigrant attitudes that have been stoked in America in recent years have climaxed with ascendant white nativism and the election of Donald Trump. The film addresses the biggest current topic in the US and how Latinos continue to be targeted by racism. The story also explores the struggles that exist between generations of Latino immigrants and the lack of solidarity between Latino nationalities.